It was made in the late Twentieth Century and was priced at $2,250.įrom Harrison, Maine, Harry Hepburn had three detailed carvings of whales done by an apprentice of Wick Ahrens (1944-2016). A catalog picturing the painting indicated that the Mary was one of only three clipper ships built in Marblehead, Mass., and it was launched in 1854.ĭennis Raleigh and Phyllis Sommer, Searsport, Maine, had a very well made, detailed, copper weathervane of a lighthouse with the keeper’s house and an arrow directional. The large oil on canvas by William Gay Yorke (1817-circa 1888) of the medium clipper Mary inbound off the Skerries, England. They also had one of the exceptional ship paintings they are known for. The Captain’s Quarters, Amherst, Mass., always has an interesting assortment of marine accessories and sailor made items, along with sailor’s valentines. He also said that it took him hours to clean it when he first got it, as it had been stored away for “years.” One wall of his booth had three half-hull models priced between $300 and $1,400, depending on size he also had a small pond model priced at $425. White said that it was scratch-built, probably around 1900. It was 65 inches long, had its original rigging and eight lifeboats were hanging on the deck, ready if needed. David White, North Yarmouth, Maine, had an unusually large model of a six-masted schooner priced at $1,400. Marine paintings, half hull models and ship models were available in several booths. The walnut tall case clock was made in Rhode Island, circa 1810, and was priced $7,500. Harry Hepburn, Harrison, Maine, repairs clocks as well as sells them. That’s what I love about this business: you’re always learning something new.” He dated it to the early 1800s. It also had a rim which told me that it should have had a cover, more evidence that it wasn’t a pitcher as they don’t usually have covers. The blackened base indicated that it had been used for cooking and that was the tip-off as to what it’s use had been. My friend Hilary Nolan told me to turn it over. It was standing on a shelf slightly above eye level and when Cullity was asked to explain why he was not calling it a pitcher, said, “When I first saw it I thought it was a pitcher, too. The tag on the piece said it was a “stew pot” and it was priced $1,450. A redware piece that looked like a pitcher wasn’t. A few pieces had painted designs, but most were unadorned.īrian Cullity, Sagamore, Mass., usually offers early furniture, silver and ceramics, including redware. Most dated from the 1890s to the 1940s and prices ranged from $250 to $495. Most of the fabrics used were linen or cotton, the color schemes were blues and muted earth tones and the often mulitple repairs fully evident. It is usually clothing worn by rural residents and peasants who could not afford to replace a garment simply because it was torn or ripped a patch would do. The term “boro” refers to Japanese clothing that has been mended and/or patched repeatedly. She deals in textiles and at this show she filled her booth exclusively with Japanese boro clothing and you couldn’t help but notice it. Offerings ranged from reference books about antiques to early American furniture to Japanese boro clothing to trade signs to neolithic jade carvings to marine paintings and accessories to early English ceramics to redware, to name a few categories.īarbara Hepburn, Harrison, Maine, does not do as many shows as her husband, Harry, does. The show was slightly smaller than in past editions, with just 36 exhibitors, but the high quality more than offset the fewer dealers, and there were several dealers exhibiting for the first time. Covid-19 restrictions and complications with the previously-used facility resulted in the change of venue. PORTLAND, MAINE – On September 24-25, Liz and John DeSimone, Goosefare Antiques & Promotions, took their Maine Antiques Exposition to the Portland Expo Center, a location often the home of antiques shows in the past. Brian Cullity, Sagamore, Mass., was asking $1,450 for it. There are two reasons to think so: at one time, it had a cover, which most pitchers do not, and the bottom was blackened, indicating that it had been in a cooking fire. The piece of redware on the right looks like it’s a pitcher but it’s actually a stewpot.
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